Jacob Hicks: Woman 62, Theia Euryphaessa
24 × 32 inches framed print. Collectible and investable. Worldwide shipping and taxes included. Shipping in the U.S. is 1-2 weeks. International shipping is 2-4 weeks.
Jacob Hicks is a Brooklyn-based figurative painter whose work intertwines personal symbolism with cultural narratives. Oil on panel, 2024. Theia Euryphaessa is one of the 12 Titans of Greek mythology, and the Goddess of vision. Part of the 100 Woman Series, In 2016, I began creating a series of female portraits as a form of resistance to misogyny and racism. To recalibrate the power structure of a religious and masculine hegemony’s image history, I paint empowered and diverse women in a space previously occupied by male idealizations of female subservience.
24 × 32 inches framed print. Collectible and investable. Worldwide shipping and taxes included. Shipping in the U.S. is 1-2 weeks. International shipping is 2-4 weeks.
Jacob Hicks is a Brooklyn-based figurative painter whose work intertwines personal symbolism with cultural narratives. Oil on panel, 2024. Theia Euryphaessa is one of the 12 Titans of Greek mythology, and the Goddess of vision. Part of the 100 Woman Series, In 2016, I began creating a series of female portraits as a form of resistance to misogyny and racism. To recalibrate the power structure of a religious and masculine hegemony’s image history, I paint empowered and diverse women in a space previously occupied by male idealizations of female subservience.
24 × 32 inches framed print. Collectible and investable. Worldwide shipping and taxes included. Shipping in the U.S. is 1-2 weeks. International shipping is 2-4 weeks.
Jacob Hicks is a Brooklyn-based figurative painter whose work intertwines personal symbolism with cultural narratives. Oil on panel, 2024. Theia Euryphaessa is one of the 12 Titans of Greek mythology, and the Goddess of vision. Part of the 100 Woman Series, In 2016, I began creating a series of female portraits as a form of resistance to misogyny and racism. To recalibrate the power structure of a religious and masculine hegemony’s image history, I paint empowered and diverse women in a space previously occupied by male idealizations of female subservience.